
Oaxaca Cathedral
José María Velasco, 1887
What you see
The cathedral rises at an angle on the left half of the canvas, its carved stone facade framed by two square towers crowned with domes and crosses. In front stretches a huge, nearly empty plaza scattered with tiny figures. Far off on the right, an arcaded building with a flag on top closes the view, with hills behind.
A golden light falls across the facade and the square, while long shadows streak the ground. Velasco records every relief and niche of the portal with patience. Look for the market in the lower left corner, with its heaps of reddish goods, the red-roofed kiosk beside the arcades and the curving rails in the foreground.
About José María Velasco
José María Velasco trained at the Academy of San Carlos under the Italian landscape painter Eugenio Landesio, and painted the Valley of Mexico again and again from the hills around it. He was also a naturalist who studied botany, zoology and geology; in 1879 he published a study of the axolotls of Lake Santa Isabel, a species that now bears his name, Ambystoma velasci. He won medals in Philadelphia (1876) and Paris (1889), was made a knight of the Legion of Honour, and taught perspective and landscape to Diego Rivera.
More by José María Velasco
The Valley of Mexico from the Hill of Santa Isabel
The Metlac Ravine
The Curved Bridge of the Metlac Ravine
The Mexico City Alameda
The Goatherd of San Ángel
Ahuehuete (Montezuma Cypress)
The Baths of Nezahualcóyotl
Scene from the Quaternary Upper Paleolithic Period
Flora and Fauna from the Miocene Cenozoic Period. Evolution of Continental Life on Earth
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