
Rural Life Is Worth More than the Three High Offices
Kim Hong-do (Danwon), 1801
What you see
The landscape runs across all eight panels, their joins visible as faint vertical lines. At upper left, columns of calligraphy fill the sky of the first panels. Below spread hills, a large rock and groves of trees, with a few small houses near the bottom. On the right, the view gathers into a broad compound of tiled roofs, walls, courtyards and stairways, closed off by tall cliffs.
The silk has darkened to a brown tone, and the ink, with touches of muted color, melts into it. Trees and roofs are drawn in fine, careful strokes. In this small image the people are hard to make out. Look for the pale stone pillars rising along the right edge.
About Kim Hong-do (Danwon)
Kim Hong-do, known by his art name Danwon, grew up in Ansan and from the age of seven studied with the master Kang Se-hwang, who later recommended him to the royal painting bureau of the Joseon dynasty. He was a court painter under Kings Yeongjo and Jeongjo, but he is remembered above all for his scenes of the daily life of farmers, craftsmen and ordinary people. He is perhaps the best-known painter in Korean art history; in 1788 King Jeongjo sent him to paint the Geumgang (Diamond) Mountains.
More by Kim Hong-do (Danwon)
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