
Landscape
Kim Hong-do (Danwon), c. 1800
What you see
A group of tall, slender trees rises on a small bank at the center, and behind them a thatched hut peeks out among reeds. On the left, across the water, a low shore with hills and rocks recedes into the distance. Two inscriptions frame the scene, one on each side, each with its own red seals.
There is only ink, in pale greys with a few deep blacks in the foliage. The water is simply unpainted paper, which opens up the space. The banks are built from short, dry horizontal strokes. Keep an eye out for the scattered stones at lower right and the smaller signature beside the right-hand inscription.
About Kim Hong-do (Danwon)
Kim Hong-do, known by his art name Danwon, grew up in Ansan and from the age of seven studied with the master Kang Se-hwang, who later recommended him to the royal painting bureau of the Joseon dynasty. He was a court painter under Kings Yeongjo and Jeongjo, but he is remembered above all for his scenes of the daily life of farmers, craftsmen and ordinary people. He is perhaps the best-known painter in Korean art history; in 1788 King Jeongjo sent him to paint the Geumgang (Diamond) Mountains.
More by Kim Hong-do (Danwon)
A Dancing Boy (Mudong)
Rural Life Is Worth More than the Three High Offices
The Kyujanggak Pavilion
Alms-Bowl Pond in the Diamond Mountains
Two Crabs and Reeds
Landscape (leaf 5 of an album of 6)
The Sound of Autumn
Wrestling (Ssireum)
The Village School (Seodang)
Tiger under a Pine Tree
Mother Dog and Puppies
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