ArcadópolisEspañol
Cover of “El capitán Montoya”

El capitán Montoya by José Zorrilla: read free online & download PDF or EPUB

José Zorrilla (1817–1893)

El capitán Montoya (Captain Montoya) is a legend in verse that José Zorrilla published in 1840, in the eighth volume of his Poesías. In Toledo, Captain Don César de Montoya, brave and seductive, gets engaged to a duke’s daughter while plotting to take a nun, Doña Inés, out of her convent; one night he enters the church and sees something that changes his life. Read it free here, in the original Spanish, with no sign-up, or download it as a PDF or EPUB.

Free, no sign-up. A public-domain work.

What it is about

Night is falling as two riders cross an olive grove to an iron cross where the road divides. One waits with the horses; the other walks to a lonely convent and comes back pleased: the nun he visits, he says, would rather “fly free through Castile than live in a cage with Christ.” They are Captain Don César Gil de Montoya and his servant Ginés.

One October night, in a Toledo alley, a band of men lies in wait for a gentleman to leave a house with his daughter so they can carry her off. A young man with a long plume in his hat leaps to their defense, leaves two of the attackers on the ground and scatters the rest with a single line: “A legion is not enough for Captain Montoya.” The man he saves is Don Fadrique de Toledo, who offers him his honor and his daughter. Montoya, rich, gallant and feared all over Spain, accepts Diana and a dowry of four million without giving up the nun.

The wedding is celebrated in the duke’s palace before the cream of Castile, at a party the poet admits he cannot describe. Montoya arrives late, signs the marriage contract and promises a church wedding the next morning; but at two in the morning he slips out of Toledo with Ginés through the Cambrón gate. Meanwhile, in the convent, Doña Inés de Alvarado, shut away with no calling, suddenly seems the most devout of the sisters: she prays at the choir grille, embroiders without rest and rises with the sun. The nuns think the lost sheep has come home; in truth, a man is gazing at her from the other side of the grille.

The ending (spoilers)

At the olive grove Montoya leaves Ginés with three horses and enters the convent to fetch Inés. But the church is in mourning: monks chanting responses that sound like curses, nobles with dry, ancient faces, an open grave. He asks who the dead man is and whom the grave is for, and the answer is always the same: Montoya. He climbs the catafalque, uncovers the coffin and finds himself in the shroud; Don Fadrique and Diana mourn him without recognizing him, Inés calls to him from the grille, and a dead man with a foul face seizes his arm: “You are the one who changes places with me; come to my grave.” He wakes in the arms of Ginés, who saw and heard nothing. Montoya breaks off the wedding without explanation and divides his fortune: a share for Ginés, another to found a hospital or a convent, and another for Don Luis de Alvarado, who wins the bet they had made about stealing God’s finest treasure; Luis must never learn that the treasure was his own sister. Then he vanishes. Ten years later the dying Don Fadrique sends for a Capuchin friar: it is Montoya, who confesses his vision and stays with him to the end. His humble grave read: “Here lies Friar Diego de Simancas, who in the world was Captain Montoya.” Inés died a nun.

Main characters

Captain Don César Gil de Montoya
“the jewel of arms and the magnet of women”: rich, brave, generous and unscrupulous; every month he picks a new love.
Ginés
his loyal servant, who waits for him by the cross in the olive grove.
Doña Inés de Alvarado
a lively girl of noble family, shut in a convent with no calling, who falls in love with the captain.
Don Fadrique de Toledo
a duke whose lineage goes back to kings, whose honor and life Montoya saves.
Diana
Don Fadrique’s daughter, engaged to the captain.
The narrator
a “wandering troubadour” who claims he heard the story in Toledo and often chats with the reader.

Themes and context

Its subtitle calls it a legend, a verse tale presented as an old tradition, and the narrator swears he heard it told in Toledo. It came out in 1840, the same year Espronceda published the complete El estudiante de Salamanca, where another seducer also sees his own funeral: this is Spanish Romanticism at its purest, with night duels, convents, wagers and warnings from beyond the grave. It is written almost entirely in eight-syllable lines, quick and full of dialogue.

Zorrilla himself said this legend was the seed of his Don Juan Tenorio (1844), and it shows: a brave seducer, a wager, a nun called Doña Inés, a loyal servant and an apparition that leads to repentance. Its funeral scene, with the dead rising from their tombs, makes it perfect for the Day of the Dead season.

About the author

José Zorrilla was born in Valladolid on 21 February 1817 and died in Madrid on 23 January 1893. A poet and playwright, he was one of the great figures of Spanish Romanticism; he made his name in 1837 with a poem in memory of the writer Mariano José de Larra.

His most famous work, Don Juan Tenorio (1844), is still staged every year around All Saints’ Day and the Day of the Dead. He lived in France and Mexico, joined the Royal Spanish Academy and in 1889 was crowned national poet in Granada.

Reading facts

First published
1840
Genre
Mystery & horror
Pages
56 in the letter-size PDF
Words
7,296
Reading time
≈ 32 min
Language
Spanish
Formats
Letter-size PDF (267 KB) and EPUB (86 KB)
License
Public domain

How it begins

I. La cruz del olivar

Muerta la lumbre solariba la noche cerrando,y dos jinetes cruzandoa caballo un olivar.Crujen sus largas espadasal trotar de los bridones,y vense por los arzoneslas pistolas asomadas.Calados anchos sombreros,en sendas capas ocultos,alguien tomara los bultoslo menos por bandoleros.Llevan, porque se presumacuál de los dos vale más,castor con cinta el de atrás,y el de delante con pluma.Llegaron donde el caminoen dos les divide un cerro,y presta una cruz de hierroalgo al uno de divino.Y es así, que si los ojospor el izquierdo se tienden,sotos se ven que se extiendenenmarañados de abrojos.Mas vese por la derechaun convento solitario,

Keep reading in the Library

Common questions

What is El capitán Montoya about?

A brave, womanizing captain in Toledo gets engaged to a duke’s daughter while planning to run off with a nun, Doña Inés. One night, entering the convent church, he comes upon a funeral that changes his life.

How is El capitán Montoya related to Don Juan Tenorio?

Zorrilla said El capitán Montoya was the seed of his Don Juan Tenorio, published four years later. Both have a seducer, a wager, a nun named Doña Inés and a supernatural warning.

How many pages is El capitán Montoya?

This edition’s letter-size PDF has 56 pages; it is about 7,000 words, roughly 32 min of reading. It is a legend in verse, in ten chapters and a closing note, in Spanish.

Can I download El capitán Montoya as a free PDF?

Yes. Download it free here as a letter-size PDF, ready to print, or as an EPUB, with no sign-up.

Is El capitán Montoya in the public domain?

Yes. It was published in 1840 and José Zorrilla died in 1893, more than a hundred years ago, so it can be freely read, printed and shared.

This edition

El capitán Montoya, de José Zorrilla (1817–1893), se publicó por primera vez en 1840. Es una obra de dominio público en todo el mundo: su autor murió hace más de cien años.

Texto basado en la transcripción de dominio público de Wikisource en español (https://es.wikisource.org/wiki/El_capit%C3%A1n_Montoya), revisada y recompuesta para esta edición. Se eliminaron las plantillas y la navegación de la página y todo lo ajeno a la obra.

Cubierta y diseño originales de la Biblioteca de Arcadópolis.

Text source: Wikisource

In these collections

More mystery and horror in Spanish