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Columns of calligraphy on the left and, on the right, robed figures beneath trees in a pale meadow

Zhao Mengfu Writing the Heart Sutra in Exchange for Tea

Qiu Ying, 1542–1543

What you see

A block of calligraphy in tight columns fills the left end. After a strip of patterned fabric, the painting begins: a pale meadow beneath a row of trees. Toward the right, a man in a white robe, seated beside another dressed in grey, is the focus of the scene, and a boy approaches them. Further back, other figures busy themselves by a red table and behind a fence.

The color is light: soft greens, browns and the white of the robes against cream paper. At this size the figures are tiny and their gestures hard to make out. Look for the bird flying across the upper left and the many red seals.

About Qiu Ying

Qiu Ying was born around 1494 into a peasant family in Taicang and began in Suzhou as an artisan decorating lacquerware before becoming a professional painter. His meticulous, elegant brushwork and his gift for copying Song and Yuan paintings won him the favour of wealthy collectors such as Xiang Yuanbian. He is counted today among the Four Masters of the Ming dynasty, and his daughter Qiu Zhu also became a painter.

All 12 works by Qiu Ying

More by Qiu Ying

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