Violence. This work is shown blurred, as in the Museum.Show work

The Third of May 1808
Francisco de Goya, 1814
What you see
The scene splits in two. On the right, a row of soldiers with their backs to us, in tall hats and with sabres, level their rifles in an almost straight line. Facing them, a group of men waits: one covers his face, another clasps his hands. In their midst, a man in a white shirt flings his arms wide. Lower left, others have already fallen.
A square lantern on the ground is the only light. It falls full on the white shirt and yellow trousers, leaving the soldiers in muted greys. Behind, a hill and the city walls sink into the night. The men’s faces are intensely expressive; of the soldiers, we never see a single face.
About Francisco de Goya
Francisco de Goya was born in Fuendetodos, Aragon, and became court painter to the kings of Spain. He painted elegant portraits, cheerful scenes for tapestries and also the horrors of war. He kept experimenting until the end of his life, and many consider him the first modern painter.
More by Francisco de Goya
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