Artemisia Gentileschi
Italian, 1593–1656. Baroque (Caravaggism)
Artemisia Gentileschi learned to paint in Rome, in the studio of her father Orazio, a follower of Caravaggio, from whom she took the strong contrasts of light and shadow. In 1616 she became the first woman admitted to the Academy of the Arts of Drawing in Florence, and later worked in Venice, London and Naples for nobles and kings. She painted above all heroines from the Bible and history with uncommon force and resolve; after centuries of neglect, she is today one of the most admired painters of the Baroque.
11 works in the Museum
Self-Portrait as the Allegory of Paintingc. 1638–1639
Judith Beheading Holofernesc. 1620
Self-Portrait as a Lute Playerc. 1615–1618
Esther before Ahasuerusc. 1628–1635
Judith and Her Maidservantc. 1618–1619
The Conversion of the Magdalenec. 1615–1616
Madonna and Childc. 1613–1614
Self-Portrait as a Female Martyrc. 1615
Jael and Sisera1620
Susanna and the Elders1610
Allegory of Inclination1615–1616
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